YORK CORPUS CHRISTI CYCLE PLAYS:

EXAMINED IN LIGHT OF THE PROTESTANT REFORMATION

 

 

 

 

 

A Thesis

 

 

Presented to

 

 

 

The Faculty of the Department of Television, Radio, Film, and Theatre

 

San Jose State University

 

 

 

In Partial Fulfillment

 

Of the Requirements for the Degree

 

Master of Arts

 

 

 

By

 

Michelle N. Russell

 

December 2006

 

 

TABLE OF CONTENTS

 

CHAPTER ONE: IntroductionÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉ...1

1.1     SignificanceÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉ4

1.2      Literature ReviewÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉ..É8     

1.3      LimitationsÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉ...17       

1.4      MethodologyÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉ18

1.5      Foundation from Current Scholarship.ÉÉÉÉÉÉÉÉÉ20

 

CHAPTER TWO: Historical ContextÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉ.É.27

2.1      Reformation EnglandÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉ.27

2.2      YorkÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉ...34

2.3      Corpus Christi Cycle PlaysÉÉÉÉÉÉÉÉÉÉÉÉÉÉ37

 

CHAPTER THREE: Textual ExaminationÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉ..46

                        3.1      XXVI. Conspiracy to Take JesusÉÉÉÉÉÉÉÉÉÉÉÉÉ50

3.2       XXIX. Peter Denies Jesus: Jesus Examined by CaiaphasÉÉÉ.57

3.3       XXX. Dream of PilateÕs Wife: Jesus Before PilateÉÉÉÉÉÉ69

3.4       XXXI. Trial Before HerodÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉ..76

3.5       XXXII. Second Accusation Before PilateÉÉÉÉÉÉÉÉÉ...86

3.6       XXXV. Crucifixion of ChristÉÉÉÉÉÉÉÉÉÉÉÉÉÉ.93

3.7       XXXVI. Death of ChristÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉ98

 

CHAPTER FOUR - ConclusionÉÉÉÉÉÉÉÉÉÉÉÉ..ÉÉÉÉÉÉÉÉ.115

                        4.1 SummaryÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉ..115

4.2      Areas of Future StudyÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉ..120

 

BIBLIOGRAPHYÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉÉ122

 

 

ABSTRACT

 

YORK CORPUS CHRISTI CYCLE PLAYS:

EXAMINED IN LIGHT OF THE PROTESTANT REFORMATION

 

by Michelle N. Russell

 

Coinciding with the Reformation and the schism within the church, the newly birthed Protestant movement abandoned the European theatrical tradition of Bible based performance. English Corpus Christi cycle plays portraying Bible stories from creation through the life of Christ are one example of plays included in this genre that did not survive the transition into Protestantism.

Recent scholarshiphas not painted a clear or definite picture of the cycles’ end. Their death has been attributed primarily to the changing religious beliefs brought to England by the Reformation and to a new age of theatre. In an effort to provide further examination of these plays, the research presented provides a historical and textual examination of the York Corpus Christi Cycle in light of the Protestant Reformation.

 

 

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